Tripudiis Sonis Variis

Baroque reimagined

an abstract photo of a curved building with a blue sky in the background

I'm not sure Monteverdi could have imagined his music being played on an Indian harmonium, Armenian duduk and electric guitar, but somehow it all worked perfectly. It felt as though the musicians - and the audience-were tapping into something both ancient and eternal, demonstrating that the ability of this music to invoke both contemplation and elevation is as powerful now as it was four centuries ago.

Henk van Leeuwen, former music promoter

Jessica Nicholas, The Age

★★★★★

A spellbound audience became captivated within minutes by the exquisite music making of Ilaria Crociani's vocalism, Mirko Guerinni's flutes, saxophone and piano accompaniment, and guitar virtuosity of Stephen Magnusson. For 90 minutes we were exposed to a beautifully crafted Interpretations of glorious music by Carissimi (1605-1674), Monterverdi (1567-1643), A. Scarlatti (1685-1757), but also Purcell (1659- 1695) and several others.

The concert was superb, and just the kind of art music I want at Beleura while I am curating. The whole evening and the music was deeply moving. So beautifully creative, artistic and musical.

Dr. Tony Gould AM, pianist, composer

★★★★★

“A Jubilation of Sounds” (transl. from the Latin “Tripudiis Sonis Variis”) was the antidote suggested against the Black Death in a famous medical treatise of the 16th century. A Jubilation of Sounds is also what audiences expected from musical performances during the Baroque era.

Baroque musicians skilfully employed improvisation to ornament, enrich, and personalise the compositions of their era. They added unique embellishments, transforming the already exquisite musical landscapes crafted by composers into even more intricate and captivating auditory experiences. These improvisational flourishes showcased the musicians' virtuosity and enlivened the compositions, creating a dynamic interplay between written score and spontaneous creativity.

Despite originating in different historical and cultural contexts, Jazz and Baroque music share several intriguing connections that have fascinated musicians and scholars alike. Both genres emerged with unique stylistic features, yet they share common threads of improvisation, harmonic exploration, rhythmic vitality, and artistic innovation. The intersections between these genres provide fertile ground for musical exploration and creative reinterpretation, exemplifying the dynamic evolution of music across different traditions and eras.

In that same spirit of joyous, diverse musical celebration, we invite you to experience a concert that bridges the past and the present. Through a refined use of acoustic instruments and sound art, Mirko Guerrini, Steve Magnusson, and Ilaria Crociani offer an intriguing rendering of famous arias by Monteverdi, Scarlatti, Carissimi, and Strozzi, reimagined with the spontaneity and creativity of improvisation.